A film about the legendary outlaw whose story outgrew his life , it is based on the true events of famous 19th-century Outback bandit, an authentic legend which results to be the Australian's most ambiguous outlaw. A man (Heath Ledger) called Ned Kelly and his family are mistreated by Australians guards .He turns to steal horses that had been previously robbed to him . He gets deeply drawn into crime life and eventually becomes a policemen killer . Meanwhile , he falls in love of an unhappy married woman (Naomi Watts) . He forms an Irish band (Orlando Bloom) battling the British Empire but the oppressed people called them heroes and are relentlessly pursued by an astute , stubborn official (Geoffrey Rush, winner Oscar for Shine) . You can kill a man but not a legend. When the law tried to silence him a legend was born. The British Empire branded them as outlaws. The oppressed called them heroes.The film is an Australian Western made completely by Aussies with action , drama , shootouts, a love story and a lot of violence. It's a pretty solid movie narrating the confrontation between the Irish rebels and the English forces and holds up very well. The essential of this picture is the outlaw hunt that results in a great load of gunplay and deaths. The movie benefits tremendously from Oliver Stapleton's (Casanova) frequently ravishing cinematography , although is sometimes dark , as film longtime is developed at night and interior scenarios. It contains a sensitive and rousing musical score by Klaus Badelt (K19 , Pirates of the Caribbean) .The motion picture was well pfotographed and competently directed by Gregor Jordan who dramatizes accurately the life of this famous outlaw and his henchmen. Before being adapted in an Australian version by Sterling (1960) and by Tony Richardson also titled Ned Kelly (1970) starred by Mick Jagger .
Having known nothing of the real story behind the famous Australian outlaw, I sat down to watch NED KELLY, ready to be informed and entertained. Well, I was informed, but entertained Not particularly.The problem with NED KELLY is that the story is slim, the characters frankly unappealing, and there isn't really anyone to root for. Heath Ledger's almost amateurish performance in the leading role makes it hard for the reader to warm to his character, and Orlando Bloom isn't much better. Naomi Watts, as a token love interest, is even worse.There are flashes of drama and some decent moments, not least that climax, but too much of the production is given over to ponderous soap opera instead of hard-hitting drama. In some places, NED KELLY has a TV movie-style atmosphere, playing it safe by staying superficial instead of getting to the nitty gritty of the characters and the situation.
In January 1963, it was reported the film would star Finney and Angela Lansbury. The movie was meant to be Finney's next project after Tom Jones (1963) and filming was to start in March 1963.
Ned Kelly bears all the signs of dedicated movie-making. Unfortunately, Mr. Richardson's direction and script, on which he collaborated with Ian Jones, do not delve too deeply into character. Nor are the principals' motivations projected with relevance to untutored American viewers. Ned Kelly, with intrusive, explanatory songs by Shel Silverstein sung by Waylon Jennings, emerges as somewhat pretentious folk-ballad fare that often explains little more than its action. ... Filmed in lovely colors on authentic Australian locales, Ned Kelly shimmers fitfully with varied beauties. A homecoming dance to a wild Irish reel is memorable, as are horsemen racing on a wooded hillside and a bare knuckle, friendly fight at a village fair. Equally impressive is the iron armor devised by Kelly as protection against pursuers. But these are colorful vignettes that only touch on but do not fully reveal the drama or the history behind the events.
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Ned Kelly is a retelling of a well known story of the last Australian outlaw. Based on the novel Our Sunshine, by Robert Drewe, the film represents another chapter in Australia's continuing fascination with the 'hero' of Glenrowan. The film explores a range of themes including justice, oppression, relationships, trust and betrayal, family loyalty, the meaning of heroism and the nature of guilt and innocence. It also offers an interesting perspective on the social structure of rural Victoria in the nineteenth century, and the ways in which traditional Irish/English tensions and hatreds were played out in the Australian colonies. Ned kelly has the potential to be a very valuable source for students of History, English, Australian Studies, media and Film Studies and Religious Education.
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